Reading the Carvings on Primitive Dayak Objects
The Dayak of Borneo carved protection, lineage, and the spirit world into ironwood. Here is how to read what the surface is saying.
Read the entry →On the woods, the workshops, and the long way a piece travels from Java to a house in Escazú.
The Dayak of Borneo carved protection, lineage, and the spirit world into ironwood. Here is how to read what the surface is saying.
Read the entry →A chest tells you everything if you know where to look: the corners, the hardware, the surface the hand has touched for a hundred years.
Read the entry →What fifteen years of acquiring teak doors across Java taught us about joinery, provenance, and how a door becomes a wall.
Read the entry →On the easternmost islands of Indonesia, a cloth records rank, cosmology, and the patience of two years at the loom. Here is how to read one.
Read the entry →Fifteen years in Indonesia taught us that a plank of teak carries its own date, if you know where to look.
Read the entry →After fifteen years of acquiring across Java and Bali, we have learned that a piece tells you where it has been — if you know how to read it.
Read the entry →Fifteen years of buying across Java and Bali, and the slow work of reading a piece before it is ever moved.
Read the entry →What fifteen years in Java taught us about building outdoor rooms from wood that has already survived a century.
Read the entry →Carved panels, colonial shutters, and teak doorframes were built to outlast the houses that held them. Here is how they settle into contemporary rooms.
Read the entry →Fifteen years across Java and Bali taught us that a room is built by subtraction, and that the best piece is usually the one you wait for.
Read the entry →Character is not decorated onto a room. It is acquired, one object at a time, over years — and it shows.
Read the entry →Fifteen years of acquiring across Java and Bali, distilled into what to look at first, and what most people miss.
Read the entry →Reclaimed hardwood from Indonesia is not a compromise on new timber. It is the better material, and the older one.
Read the entry →Fifteen years across Java and Bali taught us to read a piece before we buy it. Here is what that looks like.
Read the entry →Fifteen years working with Indonesian hardwood taught us that caring for it in the tropics is mostly a matter of doing less, and doing it patiently.
Read the entry →After fifteen years across Indonesia, the difference between the two comes down to time, provenance, and what you are willing to leave empty.
Read the entry →What teak, suar, and carved ironwood reveal about the workshops and centuries that shaped Indonesian furniture.
Read the entry →Fifteen years buying in Java and Bali taught us what the grain, the joint, and the finish reveal about how a piece will live for a century.
Read the entry →Fifteen years of buying in Java and Bali taught us that the good rooms are never all old or all new. They are a conversation.
Read the entry →The Javanese joglo stands on four posts and a stacked timber roof, held by joinery rather than fasteners. Here is what the wood tells you.
Read the entry →The difference between a resort that reads as Southeast Asian and one that reads as a set is decided in the workshop, not the rendering.
Read the entry →Three woods, three temperaments. What fifteen years in Java taught us about choosing the one that suits your house.
Read the entry →Fifteen years buying across Java and Bali taught us that age is not a claim. It is a set of things you can see and touch.
Read the entry →Before it becomes a table in Escazú, a plank of reclaimed teak has already lived a century in Java. Here is what that century leaves behind.
Read the entry →A century of Indonesian wood already knows how to live in heat and light. The modern tropical house is where it belongs.
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